Natan Moss
Ochre Crawl
Regular price$610.00
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Two color silkscreen print
Edition of 20
20" x 14" / 50.8cm x 35.6cm
Moss's ceramic practice is defined by two signature techniques: crawl glazing, where glaze and ceramic surface dry at different rates during firing to produce organic, fractured patterns reminiscent of dried riverbeds, and stacked segmented vessel forms that carry a quiet architectural tension. These five prints translate both qualities into silkscreen, balancing transparent and opaque ink layers to hold that same dialogue between control and chance that makes his ceramics compelling.
About The Artist
Natan has been working in clay most of his life, learning from his uncle David Cuzick, a successful California studio potter. He holds an MFA in New Media Sculpture from Pratt Institute where he worked as the teaching assistant to acclaimed sculptor Lucian Pompili. Natan’s philosophy is to make simple, elegant pieces which explore the duality between art and functionality.
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For this series we’ve titled Sculptural Organic, a group of 18 silkscreen prints have been produced that draw on research into the history and ethos of the Mexican Functionalists. The Functionalists were a group of architects and designers working during the 1930s that included Juan O’Gorman and Juan Legarreta. Their designs embraced an “economy of materials”. Their spaces worked to avoid any material ‘camouflage’ and instead celebrated the inherent simplicity and beauty of brick, wood and natural stone.
The Mexican Functionalists focused on sympathetic relations between building and site, and an interest in finding ways to expose the raw textures and make a feature of unadorned surfaces and building materials. The philosophy of the Mexican Functionalist was also to eschew the display of decorative objects and artworks in their living spaces instead favoring the display of everyday, useful objects such as ceramic cups, vessels and serving bowls. It is this aspect of their design philosophy that inspired this series; across all of the prints, ceramic processes, the materiality of clay and its elemental makeup of earth and water act as a key touch-points. A small group of ceramicists based in California (Zoe Dering and Donna DeSoto), New Mexico (Natan Moss) and Mérida, Mexico (Eugenia ‘Uxii’ Diaz) were invited to work as project collaborators. These artists primarily produce functional ceramic objects - vessels, serving ware, furniture - and from their designs and surface techniques, the series of prints was produced. As a collection, these works tell a rich story inspired by material, process, history and design.
The Mexican Functionalists focused on sympathetic relations between building and site, and an interest in finding ways to expose the raw textures and make a feature of unadorned surfaces and building materials. The philosophy of the Mexican Functionalist was also to eschew the display of decorative objects and artworks in their living spaces instead favoring the display of everyday, useful objects such as ceramic cups, vessels and serving bowls. It is this aspect of their design philosophy that inspired this series; across all of the prints, ceramic processes, the materiality of clay and its elemental makeup of earth and water act as a key touch-points. A small group of ceramicists based in California (Zoe Dering and Donna DeSoto), New Mexico (Natan Moss) and Mérida, Mexico (Eugenia ‘Uxii’ Diaz) were invited to work as project collaborators. These artists primarily produce functional ceramic objects - vessels, serving ware, furniture - and from their designs and surface techniques, the series of prints was produced. As a collection, these works tell a rich story inspired by material, process, history and design.
Our typical framing practice is to float mount prints with 1-inch (2cm) of space around the print. This is a method of framing that keeps the art fully visible in the frame and leaves the edges of the cotton papers exposed. A spacer is added to the frame to keep the artwork from touching the plexiglass. Float mounting requires adhering the print to an acid free foam core back or mat board using acid free linen tape.
UV-filtering plexiglass is used for all frames, an option that has become the industry standard. Plexiglass is lighter, scratch-resistant & shatter-resistant (essential for shipping). It also provides more UV protection and less glare than glass.
Please note that Premium Framing options are currently only available to US clients. For clients in Australia, please email us and we can share framing recommendations based on your location. More information about Custom Framing
UV-filtering plexiglass is used for all frames, an option that has become the industry standard. Plexiglass is lighter, scratch-resistant & shatter-resistant (essential for shipping). It also provides more UV protection and less glare than glass.
Please note that Premium Framing options are currently only available to US clients. For clients in Australia, please email us and we can share framing recommendations based on your location. More information about Custom Framing
