Graham McDougal

Untitled II (Teal)

$675.00
/

Letterpress print
Edition of 50
15" x 11" / 38.1cm x 27.9cm 

From a series of four relief prints inspired by the facades of buildings designed by British “Hi-Tech” architects of the 1980’s. The prints share an identical, gridded structure but vary in color and detail.

Framing

Unframed:

Standard :

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Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
Untitled II (Teal)
These relief prints are compositional studies inspired by the facades of buildings designed by British “Hi-Tech” architects of the 1980’s. The prints share an identical, gridded structure but vary in color and detail. The difference in their composition is visible within the montage of halftone dots and lines that vary in scale within each print. The prints are developed using photo-editing software and produced as photo-polymer letterpress printing plates. Impressions from these plates are printed by hand on a vintage press. The process produces images in an opaque, velvety ink film, which contrasts with the embossed platemark and thick, textured paper.
Graham McDougal's work and exhibitions begin with the printed page, which he approaches as a site, and source for research and studio production. This involves photographing and scanning pieces of print ephemera, rare books, essays on art, typography and architectural design. Read More
Our typical framing practice is to float mount prints with 1-inch (2cm) of space around the print. This is a method of framing that keeps the art fully visible in the frame and leaves the edges of the cotton papers exposed. A spacer is added to the frame to keep the artwork from touching the plexiglass. Float mounting requires adhering the print to an acid free foam core back or mat board using acid free linen tape.

UV-filtering plexiglass is used for all frames, an option that has become the industry standard. Plexiglass is lighter, scratch-resistant & shatter-resistant (essential for shipping). It also provides more UV protection and less glare than glass.

Please note that Premium Framing options are currently only available to US clients. For clients in Australia, please email us and we can share framing recommendations based on your location. More information about Custom Framing

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Artist Info

Graham McDougal

Graham McDougal (b. Edinburgh, Scotland) studied at Cumbria College of Art and Design and at Duncan of Jordanstone College of Art and Design, Dundee, Scotland, before earning a Master of Fine Arts from Southern Illinois University, Carbondale.

His work and exhibitions begin with the printed page, which he approaches as a site, and source for research and studio production. This involves photographing and scanning pieces of print ephemera, rare books, essays on art, typography and architectural design. These are typically found in used book stores or located in library collections. The publications that inform his work often describe how radical changes in the means of production can alter the function and intention of objects.

His work has been exhibited recently at Providence College Galleries, Regina Rex, New York; Firstdraft and KNULP, Sydney, Australia; and Outside Gallery, North Adams, Massachusetts, Tiger Strikes Asteroid, Chicago and Fjord Gallery, Philadelphia. His prints and multiples have been included in projects at the Print Center Philadelphia, IPCNY and Printed Matter Inc, both in New York. McDougal is currently the co-director of the a collaborative print publishing project Print Club Ltd. And he has taught within the art programs at Cornell University, Oberlin College, the School of the Museum of Fine Arts at Tufts University the University of California Davis.

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Frequently Asked Questions

Yes, Print Club offers free standard international shipping from our studio in Sydney, Australia. If you would like a more expedited international shipping option, please send us an email and we can create a custom quote.

Please note, international recipients are responsible for any applicable customs duties, and taxes.

Yes, all Print Club Ltd. pieces are produced on 100% acid-free cotton paper which means they have a life expectancy of over 1,000 years.

The best way to love your prints and ensure a long, happy life is certainly to have them framed. A high quality frame can prevent damage, fading and also show your prints off in their best possible light. If you are interested in having your print framed through our site, take a look at our framing information page.

We’ve found that the best way to avoid damage, is to ship prints carefully packaged in sturdy tubes. A day or two under some heavy books and they'll be nice and flat. However, keep in mind that because of the nature of cotton paper, it will respond to differing levels of humidity in the air. Sometimes paper will lay flat and other times it will slightly ripple. This is natural and a lovely reminder of its physicality as an organic object, embrace its paper personality! If you’re planning to frame your print, just take them rolled up to your framer and they can expertly take care of the flattening process.

We love to work with design professionals and are pleased to now offer free membership to our trade program that includes a 15% discount on all of our works. Head to our Trade page to share your details and request trade access.

If your prints have arrived damaged in any way we will send a replacement free of any charge and pay for your damaged prints to be posted back to us.

In the unlikely event that you're not 100% happy with your prints when they arrive we are happy to arrange for replacements to be sent or for store credit on a future purchase. Please note that in this case, Print Club will not cover the cost of return shipping fees.

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