Jonathan Ryan Storm

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$390.00
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Eight color silkscreen print
Edition of 25
16" x 12.5" / 40.6cm x 31.75cm

From a pair of silkscreen prints that are based on two small painted works by Jonathan Ryan Storm, an artist known for his complex plays on color, form and pattern.

Framing

Unframed:

Standard Framing :

Premium Framing :

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A silkscreen print hanging on a wall in a living room setting, with a patterned design predominantly in red.
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A silkscreen print hanging on a wall in a living room setting, with a patterned design predominantly in red.
This pair of silkscreen prints are based on two small painted works by Jonathan Ryan Storm. Known for his complex plays on color, form and pattern in his paintings, we selected one vibrantly multi-colored work and one zippy monochrome piece to realize through screenprint. The punchy colors and geometric op-art quality to these pieces are well suited to the graphic silkscreen printing process.

Rather than the traditional plain canvas or linen, often Storm will use sourced patterned fabrics as the ground for his paintings. During the stretching process these textiles are irregularly warped and pulled, creating a captivating sense of unease or imbalance that he can then respond to through additional painted applications.
Jonathan Ryan Storm (b. 1980, Phoenix, AZ) lives and works in Brattleboro, Vermont. He is a graduate in Metaphysics from Wheaton College (BA, 2003). Recent exhibitions have included Proper Headshrinker at David Shelton Gallery; Houston, TX and Communerism at Jaume Gallery; Greenfield, MA.
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Our typical framing practice is to float mount prints with 1-inch (2cm) of space around the print. This is a method of framing that keeps the art fully visible in the frame and leaves the edges of the cotton papers exposed. A spacer is added to the frame to keep the artwork from touching the plexiglass. Float mounting requires adhering the print to an acid free foam core back or mat board using acid free linen tape.

UV-filtering plexiglass is used for all frames, an option that has become the industry standard. Plexiglass is lighter, scratch-resistant & shatter-resistant (essential for shipping). It also provides more UV protection and less glare than glass.

Please note that Premium Framing options are currently only available to US clients. For clients in Australia, please email us and we can share framing recommendations based on your location. More information about Custom Framing

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Artist Info

Jonathan Ryan Storm

Jonathan Ryan Storm (b. 1980, Phoenix, AZ) lives and works in Brattleboro, Vermont. He is a graduate in Metaphysics from Wheaton College (BA, 2003). Recent exhibitions have included Proper Headshrinker at David Shelton Gallery; Houston, TX and Communerism at Jaume Gallery; Greenfield, MA. Storm’s work is about finding balance while solving a puzzle. As in the opening chess move, traps are laid where colors conflict with one another, where circles mirror each other and, in order to advance, some are sacrificed. Rather than the traditional plain canvas or linen, often Storm will use sourced patterned fabrics as the ground for his paintings. During the stretching process these textiles are irregularly warped and pulled, creating a captivating sense of unease or imbalance that he can then respond to through additional painted applications.

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Frequently Asked Questions

Yes, Print Club offers free standard international shipping from our studio in Sydney, Australia. If you would like a more expedited international shipping option, please send us an email and we can create a custom quote.

Please note, international recipients are responsible for any applicable customs duties, and taxes.

Yes, all Print Club Ltd. pieces are produced on 100% acid-free cotton paper which means they have a life expectancy of over 1,000 years.

The best way to love your prints and ensure a long, happy life is certainly to have them framed. A high quality frame can prevent damage, fading and also show your prints off in their best possible light. If you are interested in having your print framed through our site, take a look at our framing information page.

We’ve found that the best way to avoid damage, is to ship prints carefully packaged in sturdy tubes. A day or two under some heavy books and they'll be nice and flat. However, keep in mind that because of the nature of cotton paper, it will respond to differing levels of humidity in the air. Sometimes paper will lay flat and other times it will slightly ripple. This is natural and a lovely reminder of its physicality as an organic object, embrace its paper personality! If you’re planning to frame your print, just take them rolled up to your framer and they can expertly take care of the flattening process.

We love to work with design professionals and are pleased to now offer free membership to our trade program that includes a 15% discount on all of our works. Head to our Trade page to share your details and request trade access.

If your prints have arrived damaged in any way we will send a replacement free of any charge and pay for your damaged prints to be posted back to us.

In the unlikely event that you're not 100% happy with your prints when they arrive we are happy to arrange for replacements to be sent or for store credit on a future purchase. Please note that in this case, Print Club will not cover the cost of return shipping fees.

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