Cody Hoyt

Surface: Oblique Vessel (Projection)

Regular price$1,105.00
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Eight color silkscreen print with airbrush detail
Edition of 35
22" x 28" / 55.9cm x 71.1cm 

Known for his finely patterned, faceted vessels, we've worked with Cody Hoyt to transform two of his ceramic designs into original silkscreen prints that oscillate between image and object.

Framing

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Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
Surface: Oblique Vessel (Projection)
From a pair of prints that originate from digital scans that Hoyt made from two of his finished vessels; placing each side directly onto the surface of the scanner bed and capturing faithfully their patterned inlaid surfaces.

Hoyt’s angular vessels are first created as cardboard prototypes, a process through which he can experiment with different potentials for form and balance. From these cardboard studies, he can create a flat net of the eventual vessel that will provide a guide as he begins to roll out his intricately patterned clay flats. The rolled flats of clay are folded up to form the walls of his vessels; a process that takes literally the idea of surface becoming form.

The patterned surface of the rolled flats are generated through the use of masonry colors to dye the clay numerous different hues, then either sandwiched together, marbled or sliced up and inlaid together and flatten through the clay roller. The technique of combining separate colors to create a patterned surface is reminiscent of the process of singular color application inherent to silkscreen printing, linking the production techniques between our two studios.
Cody Hoyt (b. 1980) holds an BFA in printmaking from Massachusetts College of Art. He has exhibited in the US and abroad, including galleries such as Patrick Parrish, David Gill, UNTITLED Art fair and Design Miami. Drawing on his educational background in printmaking Hoyt has since turned his attention to producing work in ceramic and is now an incredibly skillful, self-taught master of the medium. Read More
Our typical framing practice is to float mount prints with 1-inch (2cm) of space around the print. This is a method of framing that keeps the art fully visible in the frame and leaves the edges of the cotton papers exposed. A spacer is added to the frame to keep the artwork from touching the plexiglass. Float mounting requires adhering the print to an acid free foam core back or mat board using acid free linen tape.

UV-filtering plexiglass is used for all frames, an option that has become the industry standard. Plexiglass is lighter, scratch-resistant & shatter-resistant (essential for shipping). It also provides more UV protection and less glare than glass.

Please note that Premium Framing options are currently only available to US clients. For clients in Australia, please email us and we can share framing recommendations based on your location. More information about Custom Framing

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Artist Info

Cody Hoyt

Cody Hoyt (b. 1980) holds an BFA in printmaking from Massachusetts College of Art. He has exhibited in the US and abroad, including galleries such as Patrick Parrish, David Gill, UNTITLED Art fair and Design Miami. Hoyt has created public artwork for the city of Columbus, Indiana and is a recipient of the Peter S Reed Foundation grant. Featured publications include Juxtapoz, Elle Decor, Architectural Digest, the Wall Street Journal and American Craft Magazine. He lives and works in Brooklyn, New York.Inspired by a range of multimedia references, from sculptures by Ken Price and John Mason, to Japanese Nerikomi pottery, to the Memphis Group, founded by Ettore Sottsass, Hoyt’s work blends detailed, geometric form with function. Drawing on his educational background in printmaking Hoyt previously worked for the renowned Gemini G.E.L in Los Angeles. He has since turned his attention to producing work in ceramic and is now an incredibly skillful, self-taught master of the medium. Situated in a fascinating and productive nexus between sculpture, ceramics, furniture and industrial design his studio output is incredibly varied but he is most noted for his patterned vessels.

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Frequently Asked Questions

Yes, Print Club offers free standard international shipping from our studio in Sydney, Australia. If you would like a more expedited international shipping option, please send us an email and we can create a custom quote.

Please note, international recipients are responsible for any applicable customs duties, and taxes.

Yes, all Print Club Ltd. pieces are produced on 100% acid-free cotton paper which means they have a life expectancy of over 1,000 years.

The best way to love your prints and ensure a long, happy life is certainly to have them framed. A high quality frame can prevent damage, fading and also show your prints off in their best possible light. If you are interested in having your print framed through our site, take a look at our framing information page.

We’ve found that the best way to avoid damage, is to ship prints carefully packaged in sturdy tubes. A day or two under some heavy books and they'll be nice and flat. However, keep in mind that because of the nature of cotton paper, it will respond to differing levels of humidity in the air. Sometimes paper will lay flat and other times it will slightly ripple. This is natural and a lovely reminder of its physicality as an organic object, embrace its paper personality! If you’re planning to frame your print, just take them rolled up to your framer and they can expertly take care of the flattening process.

We love to work with design professionals and are pleased to now offer free membership to our trade program that includes a 15% discount on all of our works. Head to our Trade page to share your details and request trade access.

If your prints have arrived damaged in any way we will send a replacement free of any charge and pay for your damaged prints to be posted back to us.

In the unlikely event that you're not 100% happy with your prints when they arrive we are happy to arrange for replacements to be sent or for store credit on a future purchase. Please note that in this case, Print Club will not cover the cost of return shipping fees.

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